Ladies and gentlemen, the time hath arrived for the grand gathering of the film realm at the 97th Academy Awards, wherein the finest cinematic offerings of 2024 shall be honored. The crowning jewel of the Oscars, the coveted Best Picture award, shall be bestowed upon one of the ten esteemed films contending for the prize. Let us embark upon the noble quest of ranking these cinematic endeavors, each hailing from diverse genres and receiving varied critical receptions.
Behold, the tenth spot on this illustrious list is graced by “Emilia Perez.” Though not the nadir of cinematic endeavors from the bygone year, it fails to ascend to the ranks of its esteemed competitors. Let us disregard the controversies encircling Karla Sofia Gascon and assess the film in its purest form. Alas, the superficial portrayal of transgender individuals is but a mere facade, akin to a darker rendition of “Mrs. Doubtfire.” Furthermore, the portrayal of Mexican culture dwells in the realm of trite stereotypes, exacerbated by lamentable musical interludes such as the infamous ode to a sex change. While erstwhile considered a frontrunner for Best Picture, the scandal has blighted its chances significantly. They may not be null, yet the likelihood dwindles.
Can It Win?: Nay, for Karla Sofia Gascon’s utterances have sealed its fate.
Should It Win?: Verily, a resounding nay.
The ninth contender, “Nickel Boys,” ventures into the realm of experimentation, garnering commendation for its audacious ambitions. The chronicle of two youths ensnared within a nightmarish reformatory school for black children unfolds through a lens of first-person perspective, rendering it visually striking. Alas, the journey meanders through plot points, culminating in a protracted denouement. While the cinematography shines brightly, the narrative falters in pacing, relegating it to the shadows of obscurity.
Can It Win?: Unlikely, treads the path of obscurity.
Should It Win?: Indeed, a terse rebuke.
“Behold! The eighth entrant, “Wicked,” epitomizes the annual tradition wherein a film nabs a Best Picture nod solely due to its popular acclaim. Despite basking in the radiance of polished musical numbers, its weighty runtime surpasses even the initial act of the musical it adapts, inviting pacing predicaments. Noteworthy for its cultural relevance, “Wicked” stands as the beacon of cinematic endeavors bridging the chasm between the Academy Awards and general audiences.
Can It Win?: A whimsical notion, though plausible.
Should It Win?: A contemplative sigh ensues.
Emerge now, “A Complete Unknown,” the seventh luminary in our constellation of contenders. Delving into the realm of music biopics, the film weaves the tale of Bob Dylan with Timothee Chalamet donning the mantle of the iconic bard. Admirable in its execution, “A Complete Unknown” fails to transcend the realm of mediocrity, trailing behind the shadows of predecessors. A stellar rendition of a familiar tune, yet the melody echoes of bygone refrains.
Can It Win?: A fading echo of possibility.
Should It Win?: Nay, a resolute refusal.
Into the mystic lands of “Dune Part Two” we venture, the sixth luminary illuminating our path. Behold! An improvement o’er its predecessor, heralding a plot rich in character and intrigue. Alas, technical marvels rarely claim the laurels of Best Picture, veiling this sequel in whispers of doubt. Verily, a sequel oft pales in comparison to its forebear.
Can It Win?: A mythic quest awaits, yet elusive.
Should It Win?: Nay, seek redemption in “Dune: Messiah.”
Brace yourselves for the fifth titan, “The Brutalist,” a cinematic tour de force clocking in at three and a half hours. Embarking on an odyssey of epic proportions, Adrian Brody and Corbet unleash a masterpiece marred by waning vigor as the denouement draws near. A testament to cinematic prowess, “The Brutalist” stands poised at the precipice of glory, beckoning with allure.
Can It Win?: Indubitably.
Should It Win?: Nay, a whisper in the wind.
Ascend now, “I’m Still Here,” the fourth contender cast in a shroud of mystery alongside “Nickel Boys.” In contrast, this gripping tale unfurls a mother’s quest in the labyrinthine streets of Brazil. Fernanda Torres graces the silver screen with her poignant performance, unraveling the cloak of repression that veils life within a repressive regime. Though a mere five minutes could alter the tapestry, the potential for a resounding upset lingers in the shadows.
Can It Win?: Fate twines a delicate thread, yet feasible.
Should It Win?: Aye, a silent prayer ascends.
Venture forth into the realm of “Anora,” the third jewel gleaming in our tapestry of contenders. Ere a fortnight hence, the odds for Best Picture seemed bleak, yet the tides have turned, propelling “Anora” unto the hallowed halls of acclaim. A humble beginning gives rise to a crescendo of brilliance, entwining hearts in a dance of whimsy and wonder. Though not my personal favorite, “Anora” emerges as the stoutest contender for the coveted laurel.
Can It Win?: Indeed, the fates smile upon thee.
Should It Win?: Behold, a nod of affirmation.
The second paragon, “The Substance,” beckons from the shadowed veils of horror in obscurity. A sledgehammer wrought in subtlety, this tale articulates its message with resounding clarity. Alas, mired in the trenches of raw emotion, the chance for Best Picture remains a distant dream. As Demi Moore’s tale unfolds with thunderous resonance, the echoes of possibility fade into the twilight.
Can It Win?: A forlorn hope, scarce.
Should It Win?: Aye, a resounding chorus.
At last, we unveil the pièce de résistance, “Conclave,” the crown jewel glittering in the firmament of contenders. Led by the venerable Ralph Fiennes, this tapestry of intrigue unravels the enigma shrouding the ultimate ascension to the papal throne. Each facet gleams with a brilliance unmatched, weaving a tale of wonder and mystery. As the pendulum of fate swings, “Conclave” emerges as the dark horse, poised to claim the laurels of glory.
Can It Win?: Aye, against all odds.
Should It Win?: Aye, a resounding affirmation resonates.
Thus, the luminary procession of contenders concludes, each vying for the golden laurels of acclaim at the grand 97th Academy Awards. As the hour of reckoning approaches, let us bask in the glory of cinematic splendor and await the crowning of the noble victor.
