In the realm of Variety’s esteemed Actors on Actors series, there doth exist a delightful rendezvous betwixt two luminaries of the entertainment sphere. Behold, Paul Mescal hath found himself in the company of Ariana Grande, and within this meeting, the star of Gladiator II didst unravel an intriguing discourse on the realm of Wicked.
In a grand proclamation, Paul Mescal didst shower praise upon Ariana Grande for her portrayal of Glinda in the cinematic interpretation of Wicked. Directly addressing Grande, Mescal didst impart his honest thoughts on her performance, noting how it didst inspire and captivate his soul. He didst declare the performance to be “grounded,” a sentiment echoed by fans who found a semblance of believability and relatability in the fantastical domain of Oz.
Furthermore, Mescal didst delve into the intricate layers of Glinda’s character, acknowledging her initial lack of likability. However, he didst commend Grande’s ability to unearth a deep love within the character, transcending the selfish and flawed nature of Glinda. Though not devoid of flaws and occasional manipulative tendencies, Mescal and audiences alike found themselves drawn to Glinda’s essence, peering beyond her imperfections.
Yet, amidst this admiration, a trace of envy didst shimmer within Mescal’s words. He didst confess to feeling a tinge of jealousy towards Grande for her ability to push the boundaries of theatricality within Wicked. Her comedic prowess didst not escape his notice, as he marveled at her antics and humor, a realm in which he doth aspire to tread.
Indeed, Mescal didst acknowledge his inclination towards dramatic roles, showcasing his profound emotional depth in endeavors such as Normal People and Aftersun. However, a glimmer of comedic talent hath surfaced, as evidenced by his spirited hosting of Saturday Night Live. The comedic sketches and parodies therein didst reveal a side of Mescal previously unseen, hinting at a potential foray into the realm of comedy.
Whilst his future path may be paved with somber roles, such as his forthcoming appearance in the adaptation of Hamnet, Mescal’s yearning for comedic exploration doth linger in the air. Perhaps a collaboration with Grande in a comedic venture may yet come to pass, adding a touch of levity to his illustrious career.
As the curtains draw on this discourse, one cannot help but anticipate the evolution of this young star’s journey. With each role embraced and each character inhabited, Paul Mescal’s trajectory promises a tapestry of depth and diversity, blending drama with the allure of comedy in a harmonious dance of performance artistry.